Jubilee concert of the Savonlinna Opera Festival Choir

Matti Hyökki & the Savonlinna Opera Festival Choir

    The Savonlinna Opera Festival Choir is known for its vibrant sound, musical punch, and powerful stage presence. Most of its members are either professional singers or young singing students from Finland and abroad.

    The jubilee concert at Olavinlinna castle celebrates this incredible instrument made of 80 voices. It also honours the long-term commitment of chorus master Matti Hyökki, who has conducted the Savonlinna Opera Festival Choir since 2008. Matti Hyökki, pioneer of choral music and professor emeritus has led Finland’s premier choirs for the past 50 years. Hyökki is now retiring, and a new chorus master will take over at the Savonlinna Opera Festival.

    Before saying goodbye, it’s time to sing together once more.

    The concert begins with Anton Bruckner’s six-part Mass based on Gregorian chant. The choir and the wind ensemble are conducted by Matti Hyökki. After the interval, we hear a fascinating medley of choral classics and opera pieces. Hyökki’s fabulous farewell also features Finland’s most internationally sought after tenor, Tuomas Katajala.

    Esiintyjät

    • Matti Hyökki

      conductor

    • Tuomas Katajala

      tenor

    • Oopperajuhlakuoro

      Savonlinna Opera Festival Choir

    • Wind ensemble of the Savonlinna Opera Festival Orchestra

    PROGRAMME

    • Anton Bruckner

      Mass no. 2 in E minor for mixed choir and wind ensemble
      Kyrie
      Gloria

      Credo
      Sanctus
      Benedictus
      Angus Dei

    • Interval
    • Giacomo Puccini

      “Sale ascende l’uman cantico”

      from the opera Tosca (1900) (arr. V. Matvejeff)

    • Franz Schuber

      Ständchen D.920 (1826)

      (arr. V. Matvejeff) Soloist Tuomas Katajala

    • Speech

      Mr Ville Matvejeff,

      Artistic Director to the Savonlinna Opera Festival

    • Toivo Kuula

      Auringon noustessa (At Sunrise),

      Op.11 No.3 (1909)

    • Giuseppe Verdi

      ”Va pensiero”

      from the opera Nabucco (1842) (arr. V. Matvejeff)

    As the choir comes on stage and launches into song, it sends shivers through the audience. The powerhouse of an opera performance, it adapts to a wide variety of roles, regardless of the language, style or story. Scene by scene and night after night, it electrifies the atmosphere.

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